Milton Glaser (age 86)

Milton Glaser is known as one of the most influential and acclaimed graphic designers in the United States. Starting his study of art at a young age, he was educated at the High School of Music and Art and the Cooper Union Art School in New York. After his education, his list of accomplishments has been flourishing. He co-founded the graphic design firm Pushpin Studios in 1954, founded New York Magazine in 1968, established Milton Glaser, Inc. in 1974, and formed the publication design firm WBMG in 1983. Aside from his hobby in forming businesses, Milton’s art has been featured in exhibits all around the world.

One of Glaser’s most influential pieces of work was his psychedelic poster of Bob Dylan for Dylan’s album in 1966. Six million or more of his Bob Dylan posters were distributed with Dylan’s album. Glaser’s design was so beloved that the poster is now a collectible item that sells for hundreds of dollars. Many of Milton Glaser’s designs have personally impacted me, whether it is the logo for the Franklin Mills Mall that I go to, or the logo for Barron’s, a line of textbooks that I buy for school.

This is the logo for the Franklin Mills Mall that i go to frequently. It is amazing knowing that such a huge part of my daily life is influenced by Glaser.
This is the logo for the Franklin Mills Mall that i go to frequently. It is amazing knowing that such a huge part of my daily life is influenced by Glaser.     Citation: Milton Glaser, Franklin Mills, http://www.miltonglaser.com   

He also designed the logo for New York Magazine, Esquire Magazine, the logo for the show Mad Men, and the “I Love NY” logo. All of these designs are pieces of art that I encounter on a daily basis. It is fascinating knowing that the culture around my everyday life has been greatly influenced by Milton Glaser. It gives me great optimism by seeing those logos everyday because it makes me feel as though I could be the next great designer when I grow up.

This is logo is an iconic logo throughout the entire world and is plastered on all types of merchandise. Citation: Milton Glaser, I Lover NY Campaign, http://www.miltonglaser.com
This is logo is an iconic logo throughout the entire world and is plastered on all types of merchandise.
Citation: Milton Glaser, I Lover NY Campaign, http://www.miltonglaser.com

I have a passion for graphic design because I love creating something that makes the world seem simpler. Milton Glaser has a very similar outlook on art: “Drawing can be considered a form of meditation. Meditation involves looking at the world without judgment and allowing what is in front of us to become understandable. Art, in fact, may be the best way we have to experience truth or what is real” (Milton 11). Glaser’s words are the words to always remember when one is designing. Like meditation, creating understandable artwork will bring peace and relief to the viewer, which will create success within the design. Milton has lived by this outlook on art, and has therefore become incredibly successful.

Sources:

http://www.miltonglaser.com

Glaser, Milton. Drawing Is Thinking. Woodstock, NY: Overlook, 2008. Print.

Oloizia, Jeff. “Milton Glaser’s Legacy.” NY Times. N.p., 27 Mar. 2015. Web. 27 July 2015. <http://tmagazine.blogs.nytimes.com/2015/03/27/milton-glaser-by-the-numbers/&gt;.

Winsor McCay

Winsor McCay influenced the world in many ways and was even acknowledged by Walt Disney. However McCay started small; he began as a talented young man who studied art in Michigan. He began to develop the skills needed to succeed in the art world and by 1891 moved to Cincinnati to began his career as an artist. McCay had an amazing ability to draw at an abnormally fast pace. It perplexes me how he was able to depict at such a quick rate, but the public loved it. This led to his practice being publicly displayed and McCay gained an astonishing amount of popularity. His publicity resulted in countless magazines swarming in from all over the country to hire him as an illustrator.

McCay’s career as an illustrator really took off and led to the creation of many renowned comic strips at the time. His first breakthrough was the comic “Dream of the Rarebit Fiend, first published by the New York Evening Telegram in 1904″(Canemaker 11). This comic depicted the surrealistic dreams of an adult that exist in a mundane setting. McCay soon became a household name and I really admire his recognition at the time, especially because his art was still a novel concept. McCay’s success grew even more just a year later when he published the comic Little Nemo in Slumberland for the New York Harold (Canemaker 11). Similar to his first publication this was also depicted in a dream state however now from the point of view of a young boy named Nemo. The popularity of this work pushed McCay to try something new, which led hime into the film industry.

McCay’s contributions to the film industry vastly effected the majority of animators and was even praised by Walt Disney himself. Winsor McCay moved into a new frontier animating original cartoons and comics. His career led to the creation of a total of six animated films. However his most famous one Gertie the Dinosaur was the first animation to include dynamic backgrounds that simultaneously change with the subject. This innovation pushed the limit of animation at the time that allowed companies like Disney to produce the kind of films they are most known for. His impact has influenced many illustrators, including me, but in 1934 Winsor McCay died of a sudden paralysis that spread from his right arm to his face in a matter of days.

most of the information was gathered from Winsor McCay by John Canemaker

images:

a segment from Little Nemo in Slumberland 1905-1925 by Winsor McCay
a segment from Dream of a Rarebit Fiend from 1904-1913 by Winsor McCay